Directors – Marc Caro, Jean-Pierre Jeunet
Writers – Gilles Adrien (screenplay and dialogue), Marc Caro (screenplay), Jean-Pierre Jeunet (screenplay)
You don’t get much more cynical, stylish or darkly humorous than this French delicacy. Never has there been such a sweet film made about such a, well, unsavory subject as this film is all about. What is it all about? It’s about eating things. Horrible things. You don’t really want to know what sort of things. Oh, you do? Well, you’d better see the film, hadn’t you? Just let me tell you a bit more about it first.
The story of the piece revolves around an apartment block built above a small delicatessen (hence the name) somewhere in France following some kind of apocalyptic atrocity in the near future. Food is now incredibly scarce, and is used as a commodity to survive. A butcher named Clapet (Jean-Claude Dreyfuss) advertises for helpers in his establishment, to which an out-of-work clown named Louison (Dominique Pinon) applies. The affable clown falls for the butcher’s charming daughter Julie (Marie-Laure Dougnac), who attempts to protect him from the horrors within. The clown has a dark secret that he must also come to terms with, and ensure that he, Julie and their friends can be saved.
That director Jean-Pierre Jeunet went on to make Amelie and The City of Lost Children is more than conceivable due to its luscious, sumptuous scenery, shots and settings (a handful of which I had to include here!), but the dialogue and action of this original, offbeat offering are uniquely special in and of themselves and create a wondrous vision of an unusual world that we thankfully don’t exist in (just yet…).
Get your teeth into Delicatessen today!